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White cassette in white norelco case with risographed J card and labels.
Side A includes bonus track not available digitally.
Limited to 50 copies
Building on his previous work, ADSR puts forth 10 new tracks of ambient synth work and sounds fitting for trance induction or highly focused listening.
“If you seek works of oscillator mayhem, local imprint Trance//Furnace has your back. The cover of ADSR’s 10-track self-titled album, available digitally and on cassette, includes the text “ambient flavored” and an extraordinarily minimal graphic design. It’s an accurate if not complete appraisal of the music, described in the credits as sounds useful for inducing a trance or doing deeply focused listening. The one-person synth project of E. Elias seems to be informed by the way rock bands use synthesizers to create an atmosphere. “Surveillance” has a mechanical pulse reminiscent of “On the Run” from The Dark Side of the Moon, while the uneasy industrial soundscape of “Factory Life” has a feel like Einstürzende Neubauten.” P.J. KINZER (The Nashville Scene)
Genre: electronic, industrial, experimental
White cassette in white norelco case with risographed J card and labels.
Side A includes bonus track not available digitally.
Limited to 50 copies
Building on his previous work, ADSR puts forth 10 new tracks of ambient synth work and sounds fitting for trance induction or highly focused listening.
“If you seek works of oscillator mayhem, local imprint Trance//Furnace has your back. The cover of ADSR’s 10-track self-titled album, available digitally and on cassette, includes the text “ambient flavored” and an extraordinarily minimal graphic design. It’s an accurate if not complete appraisal of the music, described in the credits as sounds useful for inducing a trance or doing deeply focused listening. The one-person synth project of E. Elias seems to be informed by the way rock bands use synthesizers to create an atmosphere. “Surveillance” has a mechanical pulse reminiscent of “On the Run” from The Dark Side of the Moon, while the uneasy industrial soundscape of “Factory Life” has a feel like Einstürzende Neubauten.” P.J. KINZER (The Nashville Scene)
Genre: electronic, industrial, experimental